Milford

Alistair Rennie – Attending Milford 2006

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bleak-warrior-coverI attended Milford shortly after my first publication came out in John Klima’s now legendary “Electric Velocipede”. This was in 2006, a year when things, in writing terms, started happening for me.

Foremost among these was Milford. I submitted the two requisite pieces of work – a surrealist fantasy piece called “A Doom of My Own” (later published in John Klima’s “EV”) and a short story called “BleakWarrior Meets the Sons of Brawl”, now the first chapter of a recently released novel entitled BleakWarrior.

When I look back, it seems to me that “A Doom of My Own” gained the most favour in terms of its reception by the Milford group. But it didn’t cause as much of a reaction as the other piece, which is the basis for a very important and inspiring lesson for me.

I was nervous about submitting “BleakWarrior Meets the Sons of Brawl” because…

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Making People In My Head – by Gaie Sebold

A fun and interesting look at writing characters from Gaie Sebold.

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babylon-steel-coverSomeone asked me recently, “Which comes first for you, character or plot?”

“Oh, character,” I said. “Character every time.”

And having said it, I realised that it might be generally true – at least, where novels are concerned – but of course, it isn’t as simple as that. A character doesn’t just stroll into my head, named, physically complete and fully costumed, with all their quirks, motivations, backstory, family and taste in beverages neatly arrayed.

I know one or two things about them, to start with. Generally I have a good idea what my major characters look like. In fact they’re often so clear in that respect that I have to remind myself to put some of that stuff on the page, because, unfortunately, readers can’t actually see the picture in my head.

dangerous-gifts-cover-32d6I know what they do for a living. That in itself is part, of course, of who…

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My Milford Writing Group Adventure

The Milford Writing Group is comprised of published authors of speculative fiction (includes Science Fiction, Fantasy, and all their sub-genres). The authors gather once a year, usually in September, to workshop ideas and discuss work in progress. This year I was eligible to attend (you need at least one professional sale), I booked my place in March and spent the next few months looking forward to the experience. I was not disappointed.

Over a week since I got back and I still feel crammed with ideas for my novel. I’ve made a start, of course I have, but what I really need is time to focus and work.

The Adventure

ImageThe venue: Trigonos, sited amongst the impressive beauty of Snowdonia, is perfect for a bunch of writers to work both creatively and critically, while offering outlets for those with an inclination to walk, jog, climb and generally explore.

The writers: fifteen in total, including three newbies (of which I was one)—a diverse group of friendly and talented people whose professional approach to writing was matched by their sense of fun.

The process: in a day liberally spiced with excellent meals, and breaks for home made biscuits and cake, there was space for several hours of writing (or catching up with critiques) in the morning, followed by a focussed critiquing workshop in the afternoon.

But what was it like, I hear you cry, to be part of such an adventure?

A little scary at first, but exciting too. And, oh my god, bloody hard work.

After a convivial breakfast, I spent the mornings working on a new chapter for my book, inspired by the general buzz of creativity about the place, and only occasionally distracted by the chickens foraging in the meadow just beyond my window. I didn’t always make it to the 11am drinks and biscuits gathering; it’s hard to stop when you’re caught in the flow. The more energetic amongst us went for walks around the lake, or runs to/from the desolation of ‘Mordor’. The truly adventurous scrambled their way up mountainous trails in both rain and shine.

The afternoon workshops were both challenging and incredibly useful. The critiques offered were professional, honest, no-punches-pulled assessments that also offered support and, quite often, generated ideas on how to solve problems or take stories forwards. I must admit that after working through five or six stories with the group, I escaped back to my room for a much needed nap before dinner!

Evenings were spent in the Library with a comforting log fire, drinks and, of course, chocolate. A satisfying end to the day in the company of other writers: lively conversation, laughter, games, and for some the fine art of knitting and crocheting. I was introduced to the game of Bananagram, a great twist on traditional Scrabble, which I look forward to teaching to my (grown up) children.

After five days of solid work (Sunday to Thursday) we were all ready for the Friday outing. Gwydir Castle—one of the most haunted homes in the country—offered sculpted gardens, wonderful trees (huge cedars planted in 1625) and rather haughty peacocks. The house itself was full of original artefacts and an ancient presence that will find its way into my writing, one way or another.

It was hard to say goodbye on Saturday morning, both to the place and to everyone in the group. But on the other hand, I was so full of ideas that I couldn’t wait to get back home and start work on the rewrite of my opening chapters.

I’ve already booked my place for next year, and can’t wait for Milford 2014!

Details for Milford 2014 can be found here.

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