Jacey Bedford

The Amber Crown by Jacey Bedford

This book is a great read. I was involved in critiquing some of the earlier chapters, so I knew I was in for a treat. I wasn’t disappointed! The three point-of-view characters (Valdas, Mizra and Lind) are engaging and believable; I was totally invested in their loves, their dreams and their dilemmas. The novel inhabits an alternative version of history (not my usual go-to genre) that plays out across the pages with a sense of authenticity, which is not dispelled by the traditional use of natural magic by the Landstriders or the darker blood-magic by the antagonist.

I was gripped by the story and enjoyed switching between the point-of-view of all three main characters. Within the pages of Amber Crown you will find rank treachery and heart warming loyalty, some great fight scenes, sensitive sex scenes and, best of all, characters who discover who they truly are. There is a real sense of healing and completion at the end, at least for two of the protagonists. It’s a bit of an open question for the third.

To find out more, you’ll have to read the book!

Novel by Jacey Bedford

What’s in a name?

Interesting piece on the challenges faced writing fantasy in a historical setting. Have read Winterwood, and can’t wait for Silverwolf to come out!

Jacey Bedford

When writing historical fiction it’s sometimes difficult to pin down names. Things change and sometimes the change is gradual. For instance I live in a tiny Yorkshire village called Birdsedge, or maybe it’s Birds Edge. No one really seems to know for sure. It’s currently in a state of flux and both names work. (My preference is for Birdsedge to be all one word.) When I first moved here in 1980 the village sign when approaching from one direction said Birds Edge, but the sign when approaching from the other said Birdsedge.

Confused? You will be.

An old diary (Adam Eyre’s Diary) from the 1770s called it Bursage and if you listen to some of the long-time residents they pronounce it something closely akin to B’zzidge, the vowel after the B being an uh sound that’s not quite E and not quite U. (A schwa?)

freddraw1The village doesn’t seem…

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FantasyCon

I thoroughly enjoyed my time at FantasyCon this year. Great panels, great people and a wonderful atmosphere. Such a packed and varied programme that I (and plenty of others) skipped lunch in order to attend as many interesting and (to us writers) valuable workshops and panels as possible.

Needless to say, I took loads of useful ideas away with me. Here are a few little gems:

Stealing from the Past: Fantasy in History (Jacey Bedford, Susan Boulton, Anne Lyle, Juliet E McKenna, Toby Venables, Susan Bartholomew)

  • What you think is true about history probably isn’t.
  • Think about: what are the usual rules in this time/society?
  • Find the base line (i.e. the ordinary people), so that you can then show what it means to be extraordinary in the time period.
  • There are so many ways that humanity has not changed over the millenia.

 

Protag/Antag: Character Creation (Ruth Booth, John Connolly, KT Davis, Peter Newman, James Oswald, Caroline Hooton)

  • Every character is a hero in their own minds (can justify their actions)
  • Play fair with the rules you have created
  • Keep your characters interesting and believable (know why your characters behave they way they do) then it doesn’t matter if they’re ‘good’ or ‘bad’
  • The hook can be not what you know about the character, but what you don’t
  • Less is more in many ways

 

Blades, Wands and Lasers: Fighting the Good Fight Scene (Clifford Beal, Juliet E McKenna, Kevin Murphy, Jo Thomas, James Barclay)

  • Think about the psychological aspects of a fight: when experts fight, their moves and counter moves are done automatically
  • In real life, sword fighters aim to disable via strikes to the neck, wrist and behind the knees
  • The aim is to get as many combatants off the field as possible. If you kill your opponent, his/her colleagues will just step over them and continue the fight. If you injure you opponent, his/her colleagues are more likely to want to take them to a medic (so three off the field with one injury)
  • Young men are more afraid of being disabled than being killed
  • Luck plays a huge part in any fight/battle
  • All fights happen one-to-one, whether in a duel or a battle
  • Tactics when confronted: 1. Run Away; 2. Break their will to attack
  • When fighting: Don’t look at the eyes (they can fake you out); Don’t look at the weapon; LOOK at the body language.

Quote: “The more I practice, the luckier I get.”

The last quote applies to fighting, but I think you can apply that to writing too!

There was lots of fun stuff to do in the evenings, of course. I particularly enjoyed the performed reading of ‘One for the Road’. A comic short story by Paul Kane, ably performed by James Barclay, Guy Adams, Lee Harris and Phil Lunt. They certainly brought to life the Four Horsemen of the Apocalypse!

The live edition of Tea & Jeapardy was excellent and very entertaining. Emma Newman, assisted by Latimer the butler, interviewed Brandon Sanderson over tea and cake (and a cursed shield). Great stuff!

I’ve already booked my ticket for next year’s Fantasy Con, to be held in the wonderful seaside town of Scarborough.