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Ten Quick Tips for Writers

Great advice from a great author…

Jacey Bedford's avatarJacey Bedford

typewriter-3Here are ten quick tips for writers (not necessarily in order of usefulness and not necessarily complete). Feel free to ignore what doesn’t work for you. Remember: ‘Follow no rule off a cliff.’ – C.J. Cherryh. Besides these are not rules – they’re more like guidelines.

  1. Finish what you write. If you can finish a novel you’ll be ahead of more than 90% of wannabe novelists.
  2. Don’t mix up editing and revision. When you’ve finished your first draft, put it away for a few weeks (or a few months if you have the luxury of time and you’re not chasing a deadline – though write something else in the interim). When you come back to it, the distance will give you perspective. Your first revision shouldn’t be merely tickling words to find a better way of saying something, but it should be structural: fixing plot holes, deepening characters, backtracking to…

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Introducing Sandra Unerman, author of Spellhaven

A fellow Milfordite and good friend. Here is a book to look out for!

The Yin and Yang of Writing Advice

Advice that I totally, one hundred percent endorse!

Jacey Bedford's avatarJacey Bedford

Writing advice is great – when it works for you. When it doesn’t, find another way of doing things.

“There are three rules for writing a novel. Unfortunately, no one knows what they are.” —W. Somerset Maugham:

“Follow no rule off a cliff”—CJ Cherryh

yin-yangAccepted Wisdom says: Write every day.

I say: Except when you can’t. It’s all about balance. Come on, guys, life sometimes gets in the way. Some days just have your name on the shit-list from the get-go. You have a dentist’s appointment and come home feeling like you’ve been kicked in the chops by a donkey. Your kid is sick and clingy, so you have to do the mum/dad thing because that’s what being a mum/dad is all about. The washing machine repair man is due at 9.00 a.m., the central heating’s on the fritz and you have a dinner party for fourteen people to prepare…

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Proxima V – The Vault Festival

I attended several of the Vault Festival events last year and was blown away by all of them! Sited in vault-like spaces under Waterloo these are experiences you don’t want to miss. So, here’s the info you need…

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This is an official plea for assistance.

The Earth is imperiled. Resources are being depleted at an unprecedented rate. Politics is in turmoil across the globe. It is no longer possible to engage with others without owning accounts for Netflix, Now TV and Amazon Prime simultaneously.

The People are dangerously close to being without hope.

We need brave individuals to offer themselves for the next phase of human existence: off-world. We are preparing a flight manifest of those willing to join us in our first efforts to colonise a new world – a better world, not so far, far away. We call it: PROXIMA V.

Well – maybe. It’s an idea, anyway. We’re not quite ready to abandon all hope just yet. It’s easy to feel despair in these times of political and economic uncertainty – but we look to the skies and find no sign of any limits to human creativity and passion.

Join us on PROXIMA V – a carefully selected strand of sci-fi and space shows designed to make you smile, and make you think about where we’re all headed. Check out the programme below and reach for the stars.

Making People In My Head – by Gaie Sebold

A fun and interesting look at writing characters from Gaie Sebold.

Jacey Bedford's avatarmilfordsfwriters

babylon-steel-coverSomeone asked me recently, “Which comes first for you, character or plot?”

“Oh, character,” I said. “Character every time.”

And having said it, I realised that it might be generally true – at least, where novels are concerned – but of course, it isn’t as simple as that. A character doesn’t just stroll into my head, named, physically complete and fully costumed, with all their quirks, motivations, backstory, family and taste in beverages neatly arrayed.

I know one or two things about them, to start with. Generally I have a good idea what my major characters look like. In fact they’re often so clear in that respect that I have to remind myself to put some of that stuff on the page, because, unfortunately, readers can’t actually see the picture in my head.

dangerous-gifts-cover-32d6I know what they do for a living. That in itself is part, of course, of who…

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Thoughts on Editing

All very useful advice!

Jacey Bedford's avatarJacey Bedford

I thought I’d toss out some thoughts on the editing process – or rather my editing process because every writer has their own way of dealing with edits, and if it works, then it’s the right way. No two writers are like or follow the exact same process.

There are two phases of content/structural editing. The first is my own, done before sending the first draft of my manuscript to my editor at DAW. The second is the edit based on what my editor wants me to alter or add (more on that later).

Sheila Gilbert wins the Hugo - 2016At this stage I want to stop and tell you that a few days ago my lovely editor at DAW, Sheila E Gilbert, was awarded the Hugo award for Best Editor, Long Form. I am absolutely thrilled for her because she’s been in this business a long time and is vastly experienced and a terrific editor…

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How to Sell a Lot of SF/F Short Story Reprints – Part 2, by Deborah Walker.

Jacey Bedford's avatarmilfordsfwriters

This is the second part in a two-part blog post by Deborah Walker. You’ll find the first part here: How to sell a lot of SF/F Short Story Reprints – Part 1. See the original on Deborah’s Blog here.

Typewriter 3

Deborah writes:

This is the second post on reprints. The first post can be found here. The take home message was more submissions will probably lead to more sales.

This post comes with the same proviso. Every writer is different. Your mileage will vary. And if you disagree with me, do feel free to comment, because I’m interested in different opinions.

So after having made 67 reprint sales this year. (Yes, it’s gone up from the last post). I thought I’d share my process with you. This is how I make my reprint sales, I hope you’ll find it interesting.

Selecting a Reprint Venue

Once you’ve found your reprint venue…

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How to Sell a Lot of SF/F Short Story Reprints – Part 1, by Deborah Walker.

Jacey Bedford's avatarmilfordsfwriters

Please welcome Deborah Walker to the guest spot on the Milford blog for the first of a two-parter on selling reprint stories. Subscribe to the blog so that you don’t miss Part 2 which will be up in a couple of weeks.

What’s a reprint?

When you sell a short story to a venue you’ll usually sell first rights with or without an exclusivity period. This means that once any exclusivity period is over, you’re free to sell the story to another venue as a reprint. Between zero and 12 months are common exclusivity periods.

Occasionally a venue will ask for all rights. That means you won’t be able to resell your story as a reprint. That’s your call. But remember that you can negotiate. I know of one short story publisher who requests to buy all rights as standard, but who will immediately offer a first rights contract if…

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Alastair Reynolds on Milford

What a great introduction and insight into the Milford SF Writers’ group. Alistair Reynolds is a real inspiration.

Jacey Bedford's avatarmilfordsfwriters

revelation-spaceMilford came at a critical time for me – real make or break stuff. It was the year when I knew I’d have to decide whether I was cut out for this science fiction lark.

The year was 1998. I’d made my first sale nine years earlier. After a long apprenticeship collecting rejection slips it had felt like a significant breakthrough and I was excited when my first pair of stories appeared the year after. I sold two more in relatively quick succession and the reaction to that first clutch of stories was positive enough to provide some encouragement. I felt myself to be cautiously on the up: I had a novel in progress, and ideas for more. Some of my immediate peers were starting to get book deals and attention from international markets. I felt that if only I stuck at it, the same rewards might start coming my…

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Saint’s Blood – Sebastien de Castell

Saint’s Blood, Sebastien De Castell, Jo Fletcher Books

The third in the series detailing the life of Falcio val Mond and his constant struggle to save Tristia, his cess-pit of a homeland. Together with his fellow ex-Greatcoats, Kest and Brasti, Falcio fights to restore the ‘King’s Law’, even though said king is dead—betrayed by the Dukes whose greed and corruption is driving Tristia to its knees.

The Greatcoats are magistrates with a difference. Re-envisioned by the late King Paelis, they are duellists trained in all manner of combat. They ride the roads of Tristia, hearing cases in towns and villages and delivering their judgements. Cases are often decided via trial by combat—the Greatcoats overriding mantra is ‘fight hard, ride fast’.

Traitor’s Blade and Knight’s Shadow are set after the death of the King, with the Greatcoats reviled as traitors, scattered around Tristia trying to both survive and follow their last, secret, orders from their King. Falcio rescues a teenage girl, Aline, who turns out to be the King’s daughter. The trio of Greatcoats fight Ducal intrigues, assassins, and a pretender to the throne in their attempts to have Aline recognised as the rightful queen.

Saint’s Blood continues the story, with their greatest adversary ever: an actual God. All three books are packed with fast moving action, as you might expect, with expertly drawn and compelling one-to-one fights and larger group battles. The action is underpinned by believable and engaging characters, which you can’t help but empathise with and root for.

The books are written exclusively from Falcio’s point-of-view, giving the reader an insight into a man who was driven into the role of ‘protector’ by the rape and murder of his wife—a man who inspires others to his cause, despite his many flaws. The relationship between Falcio and his two best friends, Kest and Brasi, is masterly portrayed. The female characters that take a lead role in the story are portrayed as intelligent, determined and a source of impressive strength.

Saint’s Blood opens our heart to fear and then demonstrates by acts of uncommon valour by men and women alike how to overcome those fears.

I’m looking forward to the next book: Traitor’s Throne.