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Existence is Elsewhen

Published today – Existence is Elsewhen, Science Fiction anthology headlined by John Gribbin

Twenty stories from twenty great writers, also including Rhys Hughes, Christopher Nuttall and Douglas Thompson

 9781908168856-188x300DARTFORD, KENT – 18 March 2016 – Elsewhen Press, an independent UK publisher specialising in Speculative Fiction, is delighted to announce the publication today of Existence is Elsewhen, an anthology of twenty science fiction stories from twenty great writers. According to Peter Buck, Editorial Director at Elsewhen Press, “The title paraphrases the last sentence of André Breton’s 1924 Manifesto of Surrealism, perfectly summing up the intent behind this anthology of stories from a wonderful collection of authors. Different worlds… different times. It’s what Elsewhen Press has been about since we launched our first title in 2011. We were thrilled when John agreed to headline.”

Headlining the collection is John Gribbin, with a worrying vision of medical research in the near future. Future global healthcare is the theme of J.A.Christy’s story, while the ultimate in spare part surgery is where Dave Weaver takes the reader. Edwin Hayward’s search for a renewable protein source turns out to be digital; and Tanya Reimer’s story with characters we think we know, gives pause for thought about another food we all take for granted. Evolution is examined too, with Andy McKell’s chilling tale of what states could become if genetics are used to drive policy. Similarly, Robin Moran’s story explores the societal impact of an undesirable evolutionary trend, while Douglas Thompson provides a truly surreal warning of an impending disaster that will reverse evolution, with dire consequences.

On a lighter note, there is satire as Steve Harrison uncovers who really owns the Earth (and why); and Ira Nayman, who uses the surreal alternative realities of his Transdimensional Authority series as the setting for a detective story mash-up of Agatha Christie and Dashiel Hammett. Pursuing the crime-solving theme, Peter Wolfe explores life, and death, on a space station, while Stefan Jackson follows a police investigation into some bizarre cold-blooded murders in a cyberpunk future. Going into the past, albeit an 1831 set in the alternate Britain of his Royal Sorceress series, Christopher Nuttall reports on an investigation into a girl with strange powers.

Strange powers in the present-day is the theme for Tej Turner, who tells a poignant tale of how extra-sensory perception makes it easier for a husband to bear his dying wife’s last few days. Difficult decisions are the theme of Chloe Skye’s heart-rending story exploring personal sacrifice. Relationships aren’t always so close, as Susan Oke’s tale demonstrates, when sibling rivalry is taken to the limit. Relationships are the backdrop to Peter R. Ellis’s story where a spectacular mid-winter event on a newly-colonised distant planet involves a Madonna and Child. Coming right back to Earth and in what feels like an almost imminent future, Siobhan McVeigh tells a cautionary tale for anyone thinking of using technology to deflect the blame for their actions. Building on the remarkable setting of Pera from her LiGa series, and developing Pera’s legendary Book of Shadow, Sanem Ozdural spins the creation myth of the first light tree in a lyrical and poetic song. Also exploring language, the master of fantastika and absurdism, Rhys Hughes, extrapolates the way in which language changes over time, with an entertaining result.

Existence is Elsewhen, published today by Elsewhen Press on popular eBook platforms, will also be available in paperback from the 25th March with a launch at the 2016 Eastercon in Manchester.

More Books, More Details, and a Reader Poll

A brilliant author who writes equally brilliant books. I can’t wait to read more.

bstaveley's avatarBrian Staveley

I GET TO WRITE MORE BOOKS!

I GET TO WRITE MORE BOOKS!

Actually, I suppose I would be writing more books no matter what. Let me rephrase that:

I’M GETTING PAID TO WRITE MORE BOOKS!

I’M GETTING PAID TO WRITE MORE BOOKS!

The official deal announcement at Publishers’ Marketplace is as brief as it is sweet:

COqENWYUEAAOooX

I can shed a little more light on what I’ve got planned through a hypothetical Q&A. Or a real Q&A with a hypothetical interrogator. You get the idea…

Are you writing another trilogy? Not yet. Each of these books will stand alone.

Why aren’t you writing another trilogy??? I want to explore a lot more of the world I’ve created, and I want to try my hand at a shorter form.

I WANT ANOTHER TRILOGY. Sorry. Also, that wasn’t a question.

Isn’t calling a 175K-word novel “short” sort of ridiculous? Not if you’re comparing it to…

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London Short Story Prize 2015 now open for entries

lauraspreadtheword's avatarShortStops

Managed by London’s writer development organisation Spread the Word, the London Short Story Prize 2015 is now open for entries.

The competition is open to writers over the age of 18 who live in the UK for stories of up to 8000 words that move, excite, enthrall and inspire on a theme and subject matter of your choice. This is the first year the competition is open to all UK residents (previously the competition was open to London residents only). The winner will receive £1000, a Brunel writing desk courtesy of Heal’s and publication via Spread the Word’s Flight Press short story anthology.

The judges

Jon McGregor by Dan Sinclair Jon McGregor by Dan Sinclair

Jon McGregor writes novels and short stories. His recent books include a short story collection, ‘This Isn’t the Sort of Thing That Happens to Someone Like You‘, and his third novel, ‘Even the Dogs‘, which won the IMPAC Dublin Literature Award in 2012. He…

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Dysprosium (otherwise known as Eastercon) – British Science Fiction Association

The 2015 Eastercon was held at The Park Inn, Heathrow (3rd to 6th April)—four days of panels, workshops, author interviews and readings, demonstrations… the list goes on… and packed full of science fiction and fantasy devotees. Heaven!

As always I was torn between equally attractive and compelling events that were, sigh, timetabled at the same day/time. This always happens. The hotel lounges were full of people agonising over the programme and trying to decide what to go to next (apart from the dedicated bar loungers, who concentrated on catching up with old friends and the making the most of the networking opportunities—another essential aspect of any BSFA convention).

So, what did I see/do over those four days?

Friday was effectively a half-day, starting at lunch-time. For me it had a very practical focus: How to Find an Agent, and a panel on the ‘Maturing Readership in Young Adult Fiction’.

How to Find an Agent – pointers included checking out the Literary Rejections website and Query Shark for example synopsise and letters. A challenge was posed to the audience: Can you pitch your book in a tweet? It’s something that Gollancz is asking their authors to do!

Query Tracker – Helping Authors Find Literary Agents

Agent Query – database of literary agents.

Saturday was a packed, full-on day. The highlights for me were the two editing workshops:

Editing your masterpiece, run by Elsewhen press, where participants were encouraged to bring along a short story that needed work. Four authors published by Elsewhen press were on hand to help and advise. The workshop was professionally run, but kept a friendly and helpful atmosphere at all times.

An editorial workshop was also run by Donna Scott. This was another extremely useful and well-run event. Key areas covered:

  • Clean and lean use of adjectives and adverbs
  • Show-don’t-Tell
  • Watch out for mixed metaphors
  • Cliché away
  • I taught I tore a tautology
  • Is there an echo in here… here… here?
  • Once upon a time there was a way of introducing a character that won’t do anymore

That’s enough for one post. I’ll catch up on the Sunday and Monday events next time…

Listen to Good Advice, but Trust Yourself

All really useful advice from a great writer.

Jacey Bedford's avatarJacey Bedford

I’m a great advocate of writers’ critique groups, either face to face or online, but every person you show your writing to will have a different opinion:
“You over-explain.”
“I don’t understand X, could you unpack it a little more?”
“The opening is bogged down in too much detail.”
“I think you could develop the world a little more in the first few paragraphs.”
“I love the way the characters develop.”
“Your main character is two-dimensional.”
etc.

That doesn’t mean to say you have to ignore all those contradictory opinions, but it’s up to you to decide which ones to accept and which to reject.

Listen to good advice.
If you can find a good writing group, face-to-face or online, make use of it. This is especially important for writers working towards first time publication, or maybe for writers of short stories who are working towards novel publication. Make sure…

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Yes, Agents Google Writers

This is useful info for a writer. Something I really need to get my head around. I’ve got to stop saying I’m too busy to post!

Carly Watters's avatarCarly Watters, Literary Agent

readingelephant-vi.sualize.us This is the social media elephant in the room.

You don’t query in a vacuum. If you write a query letter and an agent is intrigued (congratulations!) the next thing an agent does is Google you or click on the links in your signature to see where it takes us.

A writer’s virtual footprint is their resume at that point.

Here are my ‘online guidelines’ for writers:

  • Make sure you have a landing page. It could be Tumblr, WordPress, About.me or a website. You only need one, but make sure you have one that has good SEO–Wordpress or a domain name is best for that.
  • Make sure you’re not a digital ghost. If we Google you and nothing comes up it makes us think 1) you don’t take this seriously and 2) that you don’t understand social media and the importance of an online presence and that worries us. It’s a red…

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August: Renew

Love this piece!

How long is a novel?

Found this post from Jacey Bedford so helpful!

Jacey Bedford's avatarJacey Bedford

As aspiring novellists we always receive conflicting pieces of advice. ‘A book should be as long as it needs to be,’ is always a good one, but it’s also generally sound advice that, ‘first time novellists should aim for a concise book.’

A novel can be 50,000 words or 250,000 words, but 80,000 words is a reasonable length in non-genre publishing. In science fiction and fantasy, however, novels tend to be a little longer because – for starters – there’s all that world-building to cram in. So in SF/F a reasonably short novel might be 100,000 words or even 120,000 words.

So back in the days when I was with my first agent, CW, when an early version of Empire of Dust climbed to 240,000 words I knew it was too long for a first novel. I edited it down to 180,000 words and told CW that it was finished…

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News!

I’ve had a flash fiction piece accepted for the A Touch of Saccharine anthology, by Kindofahurricane Press. The piece, ‘Too Sweet’ deals with the unexpected consequences of a fairground worker stealing a kiss from Candy.

I’m also looking forward, a little nervously, to reading one of my short stories, (‘Home Rock’ – featured on this site) at the Story Sessions organised by Arachne Press.

The event is taking place at the Café of Good Hope, London, SE13 6RT on Wednesday 23rd July.

Wish me luck and hope to see you there!

R’Ha

Worth Watching!